∙ The Göttingen Institute for Advanced Study ∙ Blog ∙
The Kolleg is a leading research institute that celebrates the values of academic freedom, cosmopolitan citizenship and international scholarship. Quintessentially, the Kolleg is a place for intellectual encounter. It belongs to that rare group of institutions, where scholars from differing, at times clashing academic cultures meet and cooperate freely and critically.
The Kolleg is also the meeting ground where scholars from a variety of international academic cultures come to do research in dialogue and cooperation with scholars based in Göttingen.
All research groups of the Kolleg are multidisciplinary.
As the Institute for Advanced Study of the University of Göttingen the Kolleg puts the emphasis on its international programme of Early Career Fellowships. At the same time the Kolleg fosters intellectual exchange and cooperation across generations of scholars.
Going back to the roots of Göttingen as Germany’s outstanding new Enlightenment university, opening its doors in the 1730s, the study of the Göttingen Enlightenment in its global contexts has been a distinct research focus for the Kolleg since 2013. Being named after one of the most versatile Enlightenment figures, Georg Christoph Lichtenberg, the Kolleg strongly engages with both the positive and the problematic parts of Göttingen’s Enlightenment legacy, as exemplified by our research group Colonial Encounters, Enlightenment Collections, Post-Colonial Ethics and Politics (in cooperation with Forum Wissen).
Together with the Göttingen Academy of Sciences the Kolleg has a unique programme of Fellowships in Modern Jewish Studies: Cultural, Intellectual and Literary History. The Fellowships are honouring Moritz Stern, the first Jewish Ordinarius at a German university, namely Göttingen.
Together with the Fritz Bauer Institute in Frankfurt, the Kolleg is the home of the Anne Frank Research Project, preparing the first multilingual and fully annotated critical edition of the Diaries of Anne Frank, based on a new transcription and groundbreaking new translations, and using high-tech modern technology of book design and typography to visualise how Anne actually wrote, with all her errors, deletions, insertions and corrections.
The Kolleg has been building bridges between the human and natural sciences – highly appropriate of course for an institute which has as its home the Historische Sternwarte, the old astronomic observatory in Göttingen, that owes much of its fame and glory to one of its very first inhabitants, Carl Friedrich Gauss.
Public Outreach: on a regular basis the Kolleg opens its home, the Historische Sternwarte, one of Göttingen’s finest monuments, to the wider civic community with open days, public lectures, book launches and exhibitions. The highlight in 2021 is our 5th exhibition since 2012: a small, very fine exhibition of the university’s fabulous collection of Rembrandt prints. The exhibition *Rembrandt: Der Künstler, seine Gesellschaft und seine Religion/ Rembrandt: Art, Society and Religion 1606-1669* will show 34 prints from the print collection that is part of the Kunstsammlung of the University of Göttingen. The interplay between 17th-century engraving and modern reproduction technology features strongly in the exhibition. Due to the Covid-19 crisis the opening of the exhibition had to be postponed. The exhibition is now scheduled to open on 23 September 2021; depending on Covid’s vagaries the opening may still have to be moved.
Welcome to the preview of our upcoming Rembrandt exhibition.
Due to the pandemic it had to be postponed several times. The opening is now scheduled for Thursday 23 September 2021. We will show 34 prints from the Kunstsammlung of the University of Göttingen. The exhibition is a fascinating encounter of the old master & new digital technologies.
The selection of prints was made by permanent fellow Ivan Gaskell, professor of cultural history at Bard Graduate Center & intellectual historian Martin van Gelderen, director of the Kolleg.
The catalogue is in production. Catalogue entries were written, amongst others, by ten talented Göttingen students who participated to the MA-seminar on Rembrandt, taught by Martin during the WS 2019/2020.
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